theater


Review: Sound, or Silence? A Passionate Debate in ‘Children of a Lesser God’

Review: Sound, or Silence? A Passionate Debate in ‘Children of a Lesser God’

Lauren Ridloff and Joshua Jackson spar over the role of sign language in deaf culture in “Children of a Lesser God.”

Review: Dirty Dancing to Henry James in ‘The Beast in the Jungle’

Review: Dirty Dancing to Henry James in ‘The Beast in the Jungle’

Irina Dvorovenko and Tony Yazbeck share intense pas de deux, but are frustrated in love, in the new dance play “The Beast in the Jungle.”

Review: In Shaw’s ‘Saint Joan,’ a Sane and Sensible Martyr

Review: In Shaw’s ‘Saint Joan,’ a Sane and Sensible Martyr

Condola Rashad as a sober and cleareyed Joan of Arc in George Bernard Shaw’s “Saint Joan.”

Joan of Arc, Superstar? Not to the Woman Playing Her

Joan of Arc, Superstar? Not to the Woman Playing Her

Condola Rashad on the set of “Saint Joan” at the Samuel J. Friedman Theater.

A Broadway Bigwig Lampoons Trump, Despite Family Ties

A Broadway Bigwig Lampoons Trump, Despite Family Ties

Jordan Roth, a prominent Broadway theater owner and producer, appearing in his new video series, which opened with a raunchy attack on President Trump.

Review: A Housekeeper Claims Center Stage in ‘Member of the Wedding’

Review: A Housekeeper Claims Center Stage in ‘Member of the Wedding’

Roslyn Ruff, as Berenice, comforts Tavi Gevinson, playing the 12-year-old Frankie, in “The Member of the Wedding.”

Review: Chasing Shopworn Dreams in ‘Pretty Woman: The Musical’

Review: Chasing Shopworn Dreams in ‘Pretty Woman: The Musical’

Andy Karl, as the businessman Edward Lewis, getting to know Samantha Barks, as the Hollywood hooker Vivian Ward, in “Pretty Woman: The Musical.”

Women (and Men, Too) Pushed to the Edge at New Play Festival

Women (and Men, Too) Pushed to the Edge at New Play Festival

Amir Wachterman and Bjorn Dupaty in Mara Nelson-Greenberg’s comedy “Do You Feel Anger?”

How Much Magic Can ‘Harry Potter and the Cursed Child’ Make on Broadway?

How Much Magic Can ‘Harry Potter and the Cursed Child’ Make on Broadway?

A key component of the costuming, backstage at the Lyric Theater, where “Harry Potter and the Cursed Child” begins previews next month.

Review: In ‘The Damned,’ Ivo van Hove Finds the Mortal Chill in a Nazi Fire

Review: In ‘The Damned,’ Ivo van Hove Finds the Mortal Chill in a Nazi Fire

Jennifer Decker, left in projection and onstage, and Christophe Montenez in Ivo van Hove’s “The Damned” at the Park Avenue Armory.

Robert O’Hara Thinks ‘Men Are Stupid.’ His New Play Shows Just How.

Robert O’Hara Thinks ‘Men Are Stupid.’ His New Play Shows Just How.

“In satire, you sort of imagine the unimaginable,” said Robert O’Hara, whose new play, “Mankind,” envisions a world without women.

Review: A Species on the Brink in ‘Secret Life of Humans’

Review: A Species on the Brink in ‘Secret Life of Humans’

From left, Richard Delaney, Olivia Hirst and Andy McLeod in David Byrne's "Secret Life of Humans."

Casting Controversy Derailed a High School Play. Then Came the Threats.

Casting Controversy Derailed a High School Play. Then Came the Threats.

Ciara Renée as Esmeralda in a 2015 production of “The Hunchback of Notre Dame” at the Paper Mill Playhouse in New Jersey.

An Antidote to Digital Dehumanization? Live Theater

An Antidote to Digital Dehumanization? Live Theater

Ayad Akhtar maintains that what he calls the “attention-finance complex” has contributed to the collapse of a collective well-being.

A Buoyant ’70s Musical About Black Lives Lands in 2018

A Buoyant ’70s Musical About Black Lives Lands in 2018

Micki Grant, in a rehearsal room at New York City Center, became the first woman to write both the music and lyrics to a Broadway musical with “Don’t Bother Me, I Can’t Cope,” in 1972.

He’s the Producer. She’s the Talent. Who Owns the Hit Record?

He’s the Producer. She’s the Talent. Who Owns the Hit Record?

“I know what it’s like to be in a room with a rock star,” said Joe Penhall, whose new play “Mood Music” is about the recording industry.


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